Port Boulebinet

by Anne Harkin

Sitting astride my djembe, flanked by my suitcase, crouching in the edge of shade provided by a derelict container and adjacent shack, I wait at Port Boulebinet for the next pirogue to nearby  Room Island.  

Before me is the usual melée and colourful chaos of human and nautical activity. Behind me the eerie, burnt out shell of the former parliament building. This massive, circular structure of concrete, is the legacy of an attempted coup d'état. These days it plays host only to the crows and vultures which circle tirelessly above it or perch on its rusting iron framework.  

Rows of boats bob up and down, bumping against each other, maneuvered into place by bamboo poles and by manual pushing and shoving. Passengers and pilots jump from one to the next to reach their desired pirogue. Sometimes too many people stand along one side and the boat dips perilously low sideways, threatening to capsize.

But they are sturdy and well designed boats, shaped long and thin like slices of melon, their noses pointing skywards. This design prevents the waves flooding in when the boats rise then fall with a smash in rough seas. The hulls have been painted in strong colours, but most are beaten up and in need of repainting. They go by such names as Les Copains D'Abord, L'An 2000, Lucky Boy and Rasta Rocket.  

Those belonging to Ghanaian fishermen are of slightly more robust dimensions, (they have to weather weeks at sea), and are festooned with bouquets of tattered flags fluttering on bunches of bamboo poles.  

An argument suddenly breaks out among the women waiting in the shade next to me. One has grabbed another by the front of her dress and both are yelling and grimacing fiercely. God knows what it's over! More women surround the pair, some trying to separate them, pacify them, some upping the ante by taking sides. From one or the other comes an intermittent single clap and loud "Aha!", as in "I told you so!", stated with utter moral superiority and unquestionable finality. So it continues for some minutes until it dissipates as fast as it arose.

In the pirogues men bail, using calabashes or old food tins to  slosh the filthy water into an even filthier sea. A man carries a massive outboard engine balancing it casually on his bare shoulder, its weight betrayed by a fine trembling in his sinewy legs. Women in parrot-bright colours stroll among the passengers, on their heads are balanced bowls and trays of digestibles and small consumer items - batteries, toys, caps, pencils.  

For a stretch of 10 metres from the shore, the sea water, grey from volcanic silt, slops between the boats, thick with plastic bags, bits of broken wood and bamboo, plastic objects, paper, rotted fruit, dead fish and a blanket of gritty, black charcoal scum. A boy sits on the edge of a boat munching one mango after another, rinsing (!) them in the sea.  

At last, the pirogue for Room is ready to take passengers. I cross the sand, as littered as the sea, choosing my footfalls carefully, picking between the broken bottles, old razor blades and discarded syringes. Boatmen take my luggage as roll up my trouser legs and wade knee deep to reach the boat and heave myself aboard.

Anne Harkin   August 2000

All photography and text Copyright ©2000 Anne Harkin